Dexter Final Season review

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Dexter was fantastic TV, one of the best in the past ten years. The story of a serial killer who only kills bad guys and works as a blood analyst at Miami police was a great dark story, with some brilliant humour and shocking twists. Unfortunately, after season 4 (one of the best seasons), it started to lose its way with ever more ridiculous plot holes and coincidences that stopped Dexter getting caught which verged on the almost silly.

Whilst season 7 was actually quite entertaining after a dire season 6, the 8th and final season however is probably the show at its worst and most incoherent. Below is my run-down of what makes this season such a mess.

MAJOR SPOILERS AHEAD OBVIOUSLY. INTENDED FOR PEOPLE WHO HAVE SEEN IT.

Dexter is not himself – Yes, usually there is character development in a lead role throughout the run of a show but Dexter should have been the exception. He is a serial killer without emotion. The first few seasons showed how he pretended to be normal and hid his real self because he is a different person. It’s beyond him to understand the emotions of others and this was firmly established and logical given his need to kill. But this season he does change and becomes a more emotional guy which feels against what the character is. Case in point:  He decides he doesn’t need to kill anymore and leaves a serial killer to live. This is all well and good, except this was explored in season four with terrible consequences leading to Dexter saying many times after that he wouldn’t hesitate to kill again.

This change of personality including wanted to settle down with a family, willingness to train someone with the code, and endless sloppy decisions that would have gotten him caught (if Miami police weren’t so stupid) make Dexter frustrating to watch, instead of darkly entertaining protagonist you root for like before.

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Debra has nothing to work with – Jennifer Carpenter does great with her material, acting her socks off in every scene and her efforts really are a highlight this year, but the writing just doesn’t really help here. She has a bad relationship (again) with a guy called Andrew Briggs (no, not the guy she had a bad relationship with from season three, his name was ANTON Briggs. Yep the writers were that lazy).

The character of Debs was ultimately ruined a few seasons back when she found out Dexter’s true self forcing her to reject everything we know about her as a good cop as she had to constantly cover for his murders throughout the season. This never feels true to the character and we end up with the ludricous situation in which she becomes friends with Hannah, a murderer who tried to kill her last season.

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Quinn’s romance – After falling in love with Debs in season six and then last year falling in love with a stripper, Quinn starts falling in love with Batista’s sister Jamie because, uh, she’s kinda the only female character left. This seems entirely due to the writers having nothing better for the characters to do and a good excuse to have scenes with Jamie a bit naked in them.

But as sudden as the Quinn/Jamie romance begins, it ends, because Quinn out off the blue starts chasing Debs again and for no reason she responds positively to it and tells him she loves him. This is the same Debs that said no to his proposal and said she didn’t love him a few seasons ago and has shown absolutely zero interest in him since. Go figure.

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Doctor Evelyn Vogel adds nothing – Revealing at this late stage that another character helped create the code Dexter lives by isn’t necessarily a bad idea. It at least gives reason for introducing a new character into Dexter’s life. But Doctor Vogel adds nothing, she has the same ideas as Dexter’s Dad and the same reasons for teaching him the code.

If she was introduced as having a different reason for creating Dexter it could have been something interesting, a new twist, but nope we are left with the same conversations Dexter has been having with his ghost dad all these years but this time with Vogel. A real missed opportunity for originality in this season that was sorely lacking in it.

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Repeating story lines – In the first season, Dexter meets a young troubled kid, Jeremy Downs, who he identifies as having traits like him. He decides to train the kid to have his code. The kid seeing his future as Dexter decides its too horrifying a life and kills himself. This was a fascinating storyline that added to Dexter’s character development and showed a character making a moral choice not to become a murderer, the complete opposite choice to Dexter. It was powerful drama and didn’t need to be revisited but that’s exactly what they do this season.

This time its an annoying rich kid called Zach Hamilton who is to be trained and turns out to only be in the show to add bad comic-relief (because a creepy murdering kid is funny?). Of course, the kid wants to learn and kill people but Dexter annoyingly ignores him again and agin until it seems he murdered an innocent. Then out of the blue he is suddenly killed. A story that went absolutely nowhere other than to take up time and revisit story lines that were done better before.

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I used to murder people LOL – Hannah was a dangerous killing femme fatale last season, an original type of killer in fact for the series despite the many killers they had. But now she comes back as a jokey every-girl, who makes humour like oh you thought I poisoned your salad, hehe, not this time wink to camera. She just hangs out at Deb’s place doing nothing really except ringing Dexter to tell him to hurry up occasionally because people are kinda looking for her (to be fair to her, Dexter does talk about going to Argentina for half the season without actually going). Of course just going to Argentina herself and meeting him there later never crossed her mind because logic and Dexter writing staff do not go together.

It would have been far more interesting to bring back Lumen from season five as it seemed like there could be more story to tell there. Hannah just has no story left, and the writers made that painfully obvious by doing nothing with her.

Wanted fugitive? Broad-daylight visits to hospital still ok – Harrison goes on the treadmill in a not-supposed to be but hilariously bad moment when he falls and cuts his face open. It was just so badly filmed that it looked ridiculous. Hannah, the wanted murderer who every cop in Miami is looking for, decides not to phone Debs/ babysitter for help, or put Harrison on the beach and call an ambulance to the location, or even put on a wig or something as a disguise, but instead takes Harrison to the hospital in broad daylight.

Knowing the intelligence of the cops in Miami I guess this wasn’t too big a risk but still pretty dumb. Even dumber is she gives Harrison’s name to the doctors and the address she is staying at. But luckily, no one connects the dots or looks at cctv footage to see her.

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Dexter decides son better off being raised by different serial killer – Another reason why Lumen would have probably fit this role better. Hannah may have been changed into a jokey ‘I’m a loveable girl next door type of murderer’ this season but is she in anyway the right person to bring up Harrison (especially when Harrison was babysit by someone for three seasons who loves him!). This girl killed innocents, against Dexter’s code, and seems likely to do so again. But I guess its not polite to bring that up.

Deb’s house is an invisible fortress – Deb’s beach house is made entirely of windows in every room so of course its perfect to hide Hannah, the wanted murderer. Luckily, it seems to be some kind of invisibility fortress around it which means no one looks through the windows before knocking to see Hannah standing there and no-one can look through the windows straight after leaving to see her standing there. This is literally what happens when Elway, a man looking for Hannah visits. They don’t even close the blinds half the time! If this is all it takes to outsmart cops then seriously never live in Miami.

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Acting 101- to be creepy, never blink – Oliver Saxon is this year’s main serial killer enemy and he sucks. He’s the worst serial killer they had in any of the seasons. He looks and sounds like he belongs in a serial killer themed erotic thriller that went straight-to-DVD called something like ‘Killer’s kiss’ or ‘The Erotic Killings of Chester Deville’. His acting as a serial killer is literally saying something creepy whilst not blinking, and that’s it. He should have been called Generic McGenericson. The absolute polar opposite of the frightening performance John Lithgow gave as the Trinity killer in season four.

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For a perfect serial killer, you ain’t too bright – Despite being literally the only suspect in the killing of Dexter’s neighbour Cassie, he is questioned and let go. Dexter, two episodes later, puts his name in a database and finds it to be fake then does a DNA test and finds him to be Dr. Vogel’s son. So no one in Miami Metro thought to do this when he was being questioned? To add insult to injury, he then comes back to the police station to take a DNA test, something that would reveal his identity (but luckily this is never followed up on again!). He then conveniently films all his killings on a laptop in a not very secure hiding place, and then acts all shocked when he sees himself as wanted on the news for being a serial killer. How this guy never got caught before is beyond me.

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“Dexter, who told me he wants me dead, wants me to go to his house? OK!” – Generic McGenericson proved a surprisingly easy serial killer to catch. When he realises he’s wanted by the police, he immediately runs to Dexter’s apartment to kill him but, d’oh, Debs points a gun to his head as he approaches Dexter in the most obvious trap since Return of the Jedi (“It’s a trap!” I hear Admiral Ackbar yelling).

Well, fool me once and all that. It couldn’t possibly happen again… oh it does, like 10 minutes later when he escapes, and is immediately caught by exactly the same ruse- approach Dexter, cop points gun to the back of his head. Double D’oh.

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US Marshal is dumb dumb, da-umb, da-didditly dumb, dumb, da-dumb dumb – US Marshal appears in various earlier episodes sounding suspicious at everything everyone says as he hunts Hannah. So he is basically a professional serial killer hunter. Then he walks into a room where Oliver Saxon the serial killer, who is all over the news right now as wanted for being a serial killer (including video footage of him murdering people!), is tied up.

Did the US Marshal ask him who he was? Why he was tied up? Remove the knives beside him to be out of reach? Recognise the most wanted serial killer in Miami because that’s kinda his job? Nope, he released him then turned his back. Luckily he was stabbed repeatedly for his stupidity.

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Every single cast member has their memory wiped every season – Remember when Quinn believed Dexter was a serial killer so got a private detective to follow him, then the private detective got stabbed by Dexter, after phoning Quinn to say he found something major. Dexter even falsified evidence to get Quinn off when he was falsely accused. Quinn seems to have forgotten all this, and doesn’t seem at all suspicious when seeing video evidence of Dexter killing Oliver Saxon. Batista as well just lets it slide. Despite everything, this is the most implausible and dumb scene in the season.

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Is this a hospital for the blind? Dexter wheels out a body on a hospital bed and not one person sees. They are literally two meters away.

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Lead character might be dead but obviously isn’t cliche – Has a lead character ever died off screen with no proof, and it turned out to be true? Not that I can remember. Its obviousness as a ruse seems the only reason you’d believe it wasn’t. And, jesus, the storm CGI looks like its from a Playstation One video game.

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This is the ending from Million Dollar Baby – Gruff emotionless man becomes more humanised by a pretty girl who looks up to him. She has an accident and is on a life-support system. He emotionally turns off the life-support system and then disappears to an obscure location to live in purgatory for the rest of his days. Sound familiar? Yep, that’s the ending to Million Dollar Baby, that little-known Oscar winning film! The Dexter writers decided to use this beat-for-beat for the finale. They should’ve gone with the Sopranos blank screen ending but you know a blank screen for the whole season.

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This finale is also like the penultimate Breaking Bad episode (kinda) BREAKING BAD SPOILER ALERT – so the second to last Breaking Bad episode had Walt with a unfortunate beard living alone in a log-cabin, whilst all the other characters try to move on with their lives after his actions affected them all deeply. This is exactly the same as the Dexter ending. Of course they didn’t copy them as they aired and were produced at the same time, but whereas Breaking Bad had the foresight to have Walt return and create a proper conclusion, the writers of Dexter just leave him in purgatory making the conclusion completely unsatisfying. BREAKING BAD SPOILER FINISHED

Purgatory isn’t that bad an idea if done correctly. The writers clearly wanted to have Dexter realise he is too much of a threat to people so seek solitude. This would work, if his actions justified this need by him starting to get out of control (killing more, killing innocents, enjoying it too much, going crazier etc) but the build-up is the opposite. He becomes a more emotionally attached human being who decides not to kill and looks to create a non-violent life elsewhere in the world with his loved ones.

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Conclusion

Dexter was a great show that really didn’t know where to go once they revealed to Debs that her brother was a serial killer and thus became ever more silly and full of cliches. This season just never catches fire and adds nothing to previous which is a shame as after eight years of caring about these characters it deserved a much better send-off. It isn’t Lost finale bad but certainly unsatisfying.

An article in Vulture suggested they gave too much in season two when the police hunted the Bay Harbour Butcher (Dexter) himself. I would agree, the police finally hunting Dexter does seem like a fitting final season, way more so than introducing a terrible serial killer halfway through this season. In fact , I think if they did the stories explored in season one then in season three, season four and season two as the final season, Dexter would probably have been seen as one of the best TV shows ever made. As it stands, it had some very compelling and brilliant seasons but as a whole it lasted too long.

Doctor Who Season 7 review

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I’m the unfortunate age that didn’t have Doctor Who growing up. I did however settle for re-runs of old Who and it’s well worth fans of nu-who to revisit it. Despite the terrible effects and outfits, its everything sci-fi should be.

However, the revitalizing of the show since 2005 has been spectacular. Rarely has a prime-time show been able to throw out themes of mortality, our place in the universe and high concept sci-fi themes and manged so successfully to condense it all in a fun family show.

Season 7 is cut into two with the first half tying up the Rory and Amelia Pond story and the second part aired a few months later introducing the new assistant and began ending the reign of Matt Smith as the doctor.

The first half of season 7

The Good

Story-arcs– My favourite story-telling device brought in since Steven Moffat took over as show-runner is the use of season-long story-arcs that reveal a story throughout the entire year. Russell T Davis had flirted with this previously hinting at the season finales throughout the previous episodes (i.e. Badwolf) but Moffat really used every episode to create a slow-burn story. It really adds a narration and direction to the randoms places the Doctor visits each year and this season is no different. We are given the mystery of new assistant Clara who in the first half of the season appears mysteriously in various forms.

Doctor-Who-daleksRory and Amelia– The tying up of the Rory/ Amelia Pond story is fantastically done. I was skeptical of whether a couple travelling with the doctor over a long period would work but after so many seasons of it, I wonder why it wasn’t done more before. The chemistry of Matt Smith, Karen Gillan and Arthur Davill was brilliant, they all bounced off each other perfectly and the episodes they are in are all strong and they will be greatly missed.

A good Dalek episode! – The season started with the ‘Asylum of the Daleks’, one of the strongest Dalek episodes in the new run, only behind their first appearance and the Davros return. It introduces Clara as a character, having entertaining interaction throughout with the other characters alongside doing the important thing of making the Daleks menacing again (something lost in the Russell T. Davis era). It also contains one of the most heartbreaking swerves in its final 5 minutes that Doctor Who has ever managed.

angelsThe America episodes – The real highlight of the first half of the season are the two America-based episodes. A Town called Mercy hitting all the perfect wild west marks creating a great fun story filled with tension and a great monster of the week, alongside a surprisingly complex moral dilemma for a family show. The Angels take Manhattan manages to keep the angels as scary as you would hope they are alongside creating a great emotional finale to Rory and Amelia as characters. Also to note, I’m very glad they brought back River Song as she was as always a show-stealer here as in any episode she is in.

The Bad

Deja vu– Dinosaurs on a Spaceship was thin on plot and feel like many previous episodes based on a spaceship but it makes up for that by bringing the fun possibilities the Doctor Who format can have. Just wish the focus was more on the dinosaurs rather than all the other stuff encountered. The Power of Three provides a new twist to the aliens invading earth staple (a minor miracle due to the amount of invasion stories already told in Nu Who alone) but still feels like something we have seen before many times. The writers might want to hold off on anymore earth invasion stories for awhile, it feels pretty tired by this stage, and the smaller more personal stories work a lot better recently.

Second half of the season

The Good

hidedrwhoCreepy monsters – The second half of the season is decidedly weaker than the first half but does have some merits. Whilst the story is a bit weak, the monster in Hide is creepy in the best possible way and the comedic ending is a nice twist. The submarine based Cold War episode is a great history lesson for the kids and an original setting for a Who episode. The Mars warrior character again takes the scares to a higher level than usual for the series and provides an enemy a bit more well-rounded than the average ‘kill all humans’ type that are all too common.

Modern concepts – The Bells of Saint John is the only truely outstanding concept episode in the second half of the run (apart from the finale), taking the idea many people are able to relate to of feeling more alive online than in real life and making it literal. A very timely idea that brings the somewhat old-fashioned Doctor up-to-date to the digital age. The ending revealing how long the chief enemy had been under the spell of her hidden master is the second heartbreaking swerve the season provided but the emotional hit is still just as well-executed.

Season-finale – A perfect end to the season. A good finale should feel important and this one did. It took us to an unexplored part of the Doctor’s history (something difficult in itself given the show existing for 50 years) and managed quite masterfully to tie up the mystery surrounding the new assistant Clara. Some complained it was more a big tease than a finale as it was used to set-up story for the 50-year anniversary special rather than answer everything. But I have no problem with this, it answered many questions and made me excited to continue watching in the future. For an ongoing series, that’s as good as it gets.

The Bad

Doctor-Who-Season-7-Promo-photo-the-Christmas-episode-1The new assistant – After a fantastic introduction to Clara, she finally becomes the new assistant and immediately loses any personality. She is pretty much just a hyper energetic assistant in the Rose mold but without any romantic attachment to the doctor or family/boyfriend background so feels completely generic. Jenna Coleman is a good actress and seems perfect for the role but they really need to give her more to do going forward.

Writing – Not only does the assistant lose her spark, the writing takes a nosedive with very little to compliment here. The Crimson Horror feels like something done before in various previous stories set in the 1800s England and better (the Charles Dickens episode an example). The Journey to Centre of the TARDIS is just a random mix of weird visuals, incoherent story and a typical get out of jail free card ending when the story has dug itself a hole too deep. It also shows the problem of having multiple writers as we are told in the angels take Manhattan episode that if you see your future you can’t change it but here that is exactly what happens.

Cybermen – The Nightmare in Silver continues the run of luke-warm Cybermen episodes (maybe they are best left to the memories of older Who episodes), with a convoluted story that only half-works due to the excellent Matt Smith putting his all into the script. The less said about the two kids in the episode the better as they both give absolutely terrible acting performances and seem to have been rushed in to try and give assistant Clara a bit of back story.

Worst.Episode.Ever – Then comes the Rings of Akhaten, possibly the worst episode of the seven seasons of Doctor Who. A poor story about some old religion and a menacing sun, linked together by at least 10 minutes of mindless singing which leads to a finale of the most incomprehensible 5 minute monologue by the Doctor ever made. The speech feels so completely out of place as if it was from another episode and the lead-up to it was so poor that it falls flat. The word best to describe it is dull and its a word actually pretty rare for me to use whilst watching the show.

john-hurt-doctor-whoMASSIVE SUBTITLES STATING THE OBVIOUS – Probably my biggest complaint of the season is this one. After going through the whole journey of the final episode and it being revealed that John Hurt is an unknown version of the Doctor, someone at the BBC decided the audience was too dumb to understand this so flashed up huge subtitles on screen saying ‘John Hurt as the Doctor’. Kind of like the Sopranos ending having a big ‘We are leaving this open-ended’ at the end of their finale. It completely took me out of the dramatic moment and made me feel the makers thought I was an idiot not to be able to understand who John Hurt was.

Season highlight

Matt-Smith1It must be said the true highlight of the season is Matt Smith himself. Whilst David Tennant brought the mainstream attention to the role, having everyone from a housewife in Doncaster to the nerdiest of geeks living in hipster-ville watching, Matt Smith has taken the old-school quirkiness of previous doctors and morphed it with a modern twist.

He embodies the naive nature of an alien unsure of how human interactions work and the old soul full of the weight of protecting the universe. His fantastic performance as the Doctor has allowed the stories to be more complicated, the emotions more varied and the concepts darker.

He will be sorely missed when he hangs up his sonic screwdriver at the end of the year but what he has left is 3 seasons of some of the best the 50 years of Doctor Who has had to offer and made bow-ties and fezs popular again. What more could we ask for? 

Mad Men Season Four Review

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I just finished watching the end of Mad Men season 4 so will give my belated review of it below. Loads of Spoilers ahead so dont read if you haven’t watched, it probably wont make sense anyway if you haven’t.

Mad Men is famed for its brilliant writing with subtle blends of charactisation and smart dialogue that never says too much and usually has a healthy dose of double meaning. The two best episodes of the show in my opinion both appeared in season one “the Hobo code” and “Shoot”. The former reveals Don Draper’s past and the humble unhappy beginnings from which he came from whereas the latter explored Betty Draper’s flirtation with individuality and the her rejection of being more than a housewife. At the time the ending of the “Shoot” episode in which she literally shoots flying birds out of the sky lacked the subtly of metaphor usually associated with the show but was such a surprising, humourous and brilliant end to an episode that you can forgive it.

However, season four is a different fish altogether with a lot less subtly altogether and unfortunately double meanings are less ingrained through the dialogue. Whilst the cast has rightly been trimmed from the previous season which has allowed for better interaction between the key players and less examples of main characters, in particular Pete Campbell or Joan Holloway, disappearing for long periods, the characterisation is less polished and dare I say even in some cases two-dimensional.

The focus of the show has moved away from finding great ideas for products and more towards the accounts men talking about money they need which is unwelcome as their is very little to reveal or entertain the audience with when everyone is talking about getting more money the whole time. It doesnt have the same intrigue as needing a new tagline for Lucky Strikes and slowly coming up with something inspiring to end the show, instead we just have characters saying things like “Phew, we got the money, “which adds very little.

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Don Draper’s character has become too emotional and open but whilst this had to change eventually especially with so many central characters now knowing his secret identity as Dick Whitman it never feels honest to a character who had hid his desertion from the army for decades to be suddenly revealing it to a new girlfriend who was hired by his clients as a market researcher and watchmen of the madmen. But this isnt the main problem with him this season, its more that whilst in previous seasons he was Bruce Wayne, a flawed character trying to battle his personal demons whilst keeping a calm stance and managing just to keep it together, now he is Batman and his very name strikes fear and respect amongst everyone in and out of the agency and he gets any girl he wants.

Don has sex with a lot of women this season but none of them are as memorable as the hippy from the first season or the teacher from the third season because nothing is learned from these experiences and these liasions rarely affect the central storyline of the episodes. In say the Sopranos, it is hinted at that Tony had loads of affairs but only a few were concentrated upon throughout the run and all of the ones they did show had consequences to his actions and affected Tony’s emotional state quite deeply. This just does not happen in this season of Mad Men and leads to a ludicrous season finale in which Don picks a girl to marry and it seems entirely out of the blue with next to know lead up to justify these actions (other than one or two smart sentences written into the final episode that separate his new beau from the sharper personal traits of his ex, Betty Draper).

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Another annoyance of the season is that one explored theme of Don Draper’s character is not executed well enough. He starts to have problems with drinking but whilst this is an interesting issue like Roger Sterling’s heart attack it never really affects anything in his life. If it affected his work or his relationship with his children then that could of been very interesting but it never gets that far because he has become infallable this season. Even when drunk in a meeting and it gets slightly awkward, he still has an award in his hand and he still manages to find the tagline for the product.

This is really the main problem with the season, all conflicts for the central characters are from outside the office, there is no central conflict in the workplace that is ongoing throughout the season. Don has problems with his two ex-wives and with a rival ad-man (who we are told repeatedly isnt much of a rival anyway), Pete Campbell has problems with his wife and her Dad, Lane Pryce has problems with racism by his father and his divorce, Peggy Olsen has conflicts with her new friends circle and boyfriend and Joan Holloway has conflict with her husband and his decision to join the army. Other conflicts within the office are low level with art department people being sexist etc but this is usually dealt with in one episode story arc.

There is no season long conflict between people in the ad agency which brought the best drama in the previous seasons like in season one which saw Pete Campbell and Don Draper clash throughout, season two saw Don Draper and Duck clash throughout and season three had the english takeover and clashes between various new and old characters for much of the season. But season four has them all working together to earn more money and this lacks the bite of the personal conflicts. The only long running office conflict within the season I can think of is between Don and Peggy as she continues to want to gain acceptance but this doesn’t really work in the same way as for instance Pete Campbell and Don clashing because there are constant counteracting signals of a potential romance in the future between them.

All in all the lack of tension is the problem, for example, Roger Sterling and Joan Holloway reignite their romance but scenes with his wife or her husband during this time are non-existent so its not as affective, Pete Campbell has been clipped of any claws which is a great shame due to the importance of his character for the show as a rival to Don Draper, Betty Draper has changed from a repressed housewife with a flame somewhere beneath to just a bad mother and tensions between Roger Sterling and his ex-wife have been blocked out of everyones collective memories during the wedding of their daughter.

Although, I have my issues with the season in comparison to other seasons, this show still has much going for it. Roger Sterling is still the best character in the show and still has funny lines and quips throughout (and thankfully Don and him are friends again which means a lot of great back and forth between them which was sorely missed last season), Jared Harris (Richard Harris’s son) plays Lane Pryce brilliantly and adds some great comic timing and sarcasm to a role that is rationed far too much, Vincent Kartheiser is brilliant as ever as Pete Campbell and despite being the most irritating character in the show Elizabeth Moss still makes Peggy Olsen likeable.

ImageI’ll need to watch season 5 after this and hopefully many of the flaws are dealt with as I really don’t want this show to go downhill as it has been epic television on the grandest scale for years now with depth of character unparalleled by anything else. Overall, a decent season lacking in the dramatic impact of its predecessors but still one of the most enjoyable viewing experiences on TV right now. Just hope the writers give us more Betty, more Pete (with claws), less Super-Draper and more prolonged conflict next season (Roger can stay as he is as always).